AFC NEWS NOVEMBER 2003 |
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Welcome to the November edition of AFC News. This issue features the release of the National Survey of Feature Film and TV Drama Production which reveals a large downturn in Australian production, the winners of the AFI and IF Awards (Japanese Story scooped the pool), the latest trade developments and happenings at the SPAA Conference, news on the MIPCOM television market and recent AFC Commissioner appointments.
You currently subscribe to the AFC's monthly newsletter AFC News. You can also subscribe to the AFC Trade Bulletin or Get the Picture (industry statistics) monthly alerts.
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- New documentary funding round: the AFC is inviting submissions for an extra round of Strand O documentary production funding in February 2004. The AFC is looking for exciting, compelling documentary projects which explore the documentary form in imaginative and inventive ways. Deadline for applications 20 February 2004
- The inaugural Enterprise Australia program took place in country Victoria, 14-18 November, with advisors including Michael Donovan (producer, Bowling for Columbine) and John Penotti (executive producer, In the Bedroom) workshopping business strategies for independent producers
- The Indigenous Unit hosted a dinner on 25 September with Bird Runningwater, programmer for the Sundance Film Festival. Bird met with Indigenous filmmakers and viewed the 'Dreaming in Motion' short films and short features Queen of Hearts and Cold Turkey
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Enterprise Australia
Participating producers
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- In the paper Flexible Vision the AFC has investigated the range of new services for audiovisual content delivery that may operate in Australia within a decade. The study examines international practice and the AFC's main objective is to examine appropriate mechanisms for supporting Australian content on these new services. Read a brief overview of this research
- For more coverage on issues surrounding film, culture and the proposed Australia-US Free Trade Agreement see Australian Audiovisual Industries and Cultural Policy: background information to free trade negotiations between Australia and the United States
- As Australia and the US conclude another round of negotiations for a Free Trade Agreement between their nations a major new publication, America's Pie: culture and trade after 9/11 by Jock Given, argues that the world is at a decisive moment in the history of trade and culture and that Australia has a significant role to play
- Click here for the latest Trade Bulletin
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- Japanese Story has scooped the pool at awards ceremonies in the past month. Find out the winners at the AFI Awards and the IF Awards
- An Australian Film Focus festival was held in Tokyo, 1-3 November, as a sidebar of the Tokyo International Film Festival. Walking on Water, Lantana, Beneath Clouds, One Night the Moon and a number of short films were screened. Tony Ayres, the director of Walking on Water, attended the festival with the AFC Deputy Chair Paul Hamra. Director Paul Goldman and producer Emile Sherman were unable to attend the special screening of their film The Night We Called it a Day as planned due to filming commitments, but recorded a video speech for the audience which was played prior to the screening. Indigenous Unit Project Manager Erica Glynn attended the festival and participated in a lecture tour to universities and schools on Indigenous filmmaking. Mimi, Shit Skin and One Night the Moon screened as part of the lecture series
- A record 170 Australians travelled to MIPCOM 03, held in Cannes, 10-14 October. The TV market was generally perceived as much more upbeat than prior editions and with a better outlook for Australian programs internationally. The AFC again organised a range of initiatives and facilities in support of Australians attending. The Australian Ambassador to France, His Excellency Bill Fisher, was the special guest at the Australian Drinks held at the AFC stand on Sunday evening. The Australian stand was also singled out for an official visit by a French delegation headed by the Minister of Culture and Communication, Jean-Jacques Aillagon, to express their appreciation of the strong Australian contingent attending the market each year
- Harvie Krumpet is one of eight semi-finalists in the Short Film Animation category for the 76th Academy of Motion Picture Arts and Sciences Awards (Oscars) to be held in Los Angeles, 29 February 2004. Read the latest news on other successful AFC-funded films including Violet Lives Upstairs, Roy Höllsdotter Live, Japanese Story and Whispering in the Dark
- The short film Violet Lives Upstairs was recently awarded Best Australian Short Film by the Film Critics Circle of Australia
- Eighteen recent international awards have been presented to Australian films since August 2003 with highlights including Harvie Krumpet, The Projectionist and Ward 13
- There has been a strong representation of Australian films at recent key international film festivals including Amsterdam, Stockholm and Valladolid in Spain. All four Australian films selected to screen at Valladolid received prestigious jury awards
- Deadlines are approaching for the following international festivals (Nov-Dec): Aspen Shortsfest, Tampere, Stuttgart, Hot Docs, Hong Kong and Creteil
- OPENChannel are calling for entries for short films of any genre for their members' screenings and awards event LOVE YOUR WORK! Deadline 8 December
- Metro Screen's Kaleidoscope Festival screened 37 new works and hosted a multimedia exhibition, four Q&A sessions and 10 industry seminars. Winners were announced on November 14
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Japanese Story
Sue Maslin (producer), Sue Brooks (director) and Alison Tilson (writer/co-producer)
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- The 2003 SPAA Conference in Melbourne on 18-21 November was titled Live or Let Die, The New Reality for Producers. The Conference was dominated by discussion on the Free Trade Agreement and also featured spaaMART, the inaugural feature finance market, which was sponsored by the AFC's Marketing Unit
- Over 150 women, including Posie Graeme-Evans (Head of Drama at the Nine Network) and Sue Masters (Head of Drama at Network Ten), attended the Women Working in Television Project's annual SPAA Conference Breakfast in Melbourne on 21 November. The project's latest publication The Big Picture: managing your own career in television was profiled by the Director Film Development Carole Sklan. It can be downloaded free or contact publishing@afc.gov.au for a hard copy
- SPAA Fringe was held in Byron Bay, 14-16 November. The festival was attended by AFC Project Managers Lori Flekser and Jackie McKimmie who chaired a session 'Non-Drama Production on Broadcast and Pay TV' and introduced guest Peter Broderick's session 'Strategies and Tactics for Emerging Producers'. AFC staff were also on hand at the information stand to answer queries and provide AFC guidelines and handouts
- Project Manager Lori Flekser inaugurated a new short course at AFTRS on 12 November: Documentary Budgeting for Producers. The course grew out of an expressed need by documentary practitioners to gain the skills to prepare preliminary documentary budgets. It was attended by 23 people from those with basic budgeting and spreadsheet knowledge to more experienced filmmakers who wanted to be exposed to the new AFC A-Z Documentary Budget. Feedback from the one-night course has been very positive and there are plans to run it again next year
- Director Film Development Carole Sklan and Project Managers Julia Overton and Kim Lewis spoke on panels at the Niche Marketing: Screen Packaging and Producing Conference at AFTRS on 19 October in Sydney. Kim presented a case study on the theatrical distribution of The Bank in Australia, Julia contributed to the session 'What is Right and Wrong with Australian Filmmaking?' with panellists including producer Marian Macgowan, sales agent Gary Hamilton and director Jonathan Teplitzky, and Carole spoke at the session 'The Way to the Future' where each panellist was asked 'what would you change and not change about the Australian film industry?'
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Kurtal - Snake Spirit
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- The best of Australia's new film talent in nine short feature films will screen on SBS in November and early December
- Khoa Do's feature The Finished People has secured a theatrical release through Dendy Cinemas, screening at Dendy Newtown Cinemas in Sydney and Dendy Kino Cinemas in Melbourne. The following Australian features will also be released in November and December so keep an eye out for screening details: The Honourable Wally Norman and Visitors
- The AIMIA Awards showcase Australia's best interactive media content and aim to recognise excellence in digital media production. Winners from eight categories will represent Australia at the UN World Summit Awards in 2004. Deadline 1 December
- ASDA hosts a budgets and project management seminar - put more $$$ on the screen - in Sydney, 2 December
- Reel Dance is a well-established festival concentrating on dance on film. Screenings and installations are featured at The Performance Space, Sydney, 3-13 December
- The Writers' Muster is for and about writers from all genres - screen, novel, theatre, journalism, poetry, song - talking to each other about the ideas that fascinate or obsess them. It will be held as part of the Australian Writers' Guild Conference, Sydney, 5-7 December
- The AFC, in association with the Australia International Cultural Council (AICC), the Australian Consulate in Los Angeles and the American Film Institute, will present a week of Australian films at the Arclight Cinema in Los Angeles, 15-19 January 2004
- The Australian International Documentary Conference will be held in Fremantle, WA, 26-28 February 2004. Screen Tasmania is offering assistance to suitable applicants to attend the conference. Deadline 5 December
- Other AFC-supported activities and events
- The AFC sponsors IF magazine's What's On in Film guide to screen events across Australia
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The Finished People
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We Have Decided Not to Die
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- AFC Commissioners update: Maureen Barron will continue for a third term as Chair of the AFC, and Antonio Zeccola has been appointed for a second term. In response to the integration between the AFC and ScreenSound, the AFC Board of Commissioners' complement has been increased by two. Dominic Case and Paul Grabowsky have been appointed for a three-year term effective 21 October
- The Australian Film, Television and Radio School and the AFC honoured 10 years of Indigenous filmmaking at Tracking Tomorrow: a Celebration of Indigenous Film and Filmmakers in Sydney on 20 November. It has been a decade since the Indigenous Unit of the AFC was established and the first Indigenous students graduated from AFTRS
- The AFC Annual Report has been published. If you would like a copy contact publishing@afc.gov.au
- Positions vacant
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AFC at MIPCOM 2003
Jean-Jacques Aillagon(French Minister of Culture and Communication), Sabina Finnern (AFC Manager, Marketing), Paul Zilk (CEO Reed Midem) and Bernard Brochand (Deputy Mayor of Cannes)
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The AFC's Industry and Cultural Development Unit helps provide opportunities for critical debate and analysis of screen content, and promotes Australian programs to potential audiences by supporting a range of publications that focus on Australian film:
*Inside Film *Metro *RealTime *Senses of Cinema
What these publications have in common is that they foster an awareness of Australian screen culture, concentrate on genres (like short film and documentary) that receive scant attention in other press, trace the development of emerging filmmakers through interviews and reviews, and look at what's happening internationally to place Australian film in context. Here is a profile, including contact details, of each of the publications. TITLE: Inside Film COST: $6.95 LATEST ISSUE: November 03 WEBSITE: www.if.com.au EDITOR: Rachel Turk & David MichodInside Film is Australia's magazine for film professionals. It gives on-the-ground coverage of films, filmmakers and the industry in which their work is made and received.
From script to exhibition, it celebrates the independent spirit across all levels of Australian production: low-budget films to studio pictures, television, TV commercials, documentaries, animation, interactive media, visual effects, post-production, graphics and design.
With associations with the major industry guilds and organisations such as the AFC, FTO, SPAA and ASDA and a network of professional correspondents, Inside Film gets inside the issues at the heart of the industry.
A monthly publication, Inside Film is published by IF Media, founders of the Lexus IF Awards. It is available through subscription and a controlled circulation strategy. It is also distributed to film professionals in the US through AusFILM, LAAFTA screenings and is the magazine of choice for the Jurlique Australian Film Festival in LA in January 2004.
Daily e-newsletters provide up-to-date information to a subscriber base of 3,300 on industry developments as they unfold. Since its launch in May 2001, the website, online partner to Inside Film, has grown exponentially as an industry resource and now receives over 50,000 visitors per month.
The November issue features interviews with producers Vincent Sheehan, Liz Watts and Anita Sheehan about their journey from Mullet and Walking on Water to Martha's New Coat, and Louise Smith, Matthew Dabner and Kath Shelper about TVCs, music videos, documentary, shorts and The Rage in Placid Lake. Also under the microscope is Wasabi Films, the Melbourne creative hub established by Jason Byrne whose collaborations with Louise Smith have included the Rachel Griffiths shorts Tulip and Roundabout, and the soon-to-be-released feature One Perfect Day. There are also interviews with Jane Campion and Roger Corman.
Find out more about Inside Film by visiting their website or email the editor David Michod at davidm@if.com.au. TITLE: Metro COST: $14.95 LATEST ISSUE: No 137 WEBSITE: www.metromagazine.com.au EDITOR: Peter TappMetro is a national, refereed journal produced by the Australian Teachers of Media (ATOM) that features in-depth analysis of Australian screen culture. Published five times a year, Metro has a reflective tone and a variety of reviewers means great diversity in content. Metro also produces a wide range of Study Guides for use by educators, including the latest Australian and international films, and has free film screenings for teachers.
Metro magazine has just signed an agreement with Screen Hub (the industry's leading daily email newsletter) to cross-promote each other's publications. The two publications are pooling their extensive lists of freelance writers and together can offer joint subscriptions, giving subscribers the best of both publications — the longer more considered articles, interviews, reviews, policy analysis and technical reviews of Metro, with the up-to-the-minute job bulletins, daily news and events of Screen Hub.
In the final issue for 2003, Metro looks at the current batch of Australian feature films to be released, including the local comedies The Honourable Wally Norman and The Wannabes, Jonathan Teplitsky discusses his latest feature Gettin' Square, Robert Sutherland talks about his independently-funded film The Inside Story and there's a review of the 50 Minutes From Home film festival.
From an international perspective there are interviews with two of cinema's most innovative and esteemed directors: Atom Egoyan talks about his latest film Ararat and the Iranian master Abbas Kiarostami talks about both his earlier work and the soon-to-be-released Ten.
There are also profiles on Tom Zubrycki and Darlene Johnston, and animation is the focus of a Special Feature Section.
Find out more about Metro by visiting their website or email the editor Peter Tapp at tapp@netspace.net.au. Visit Screen Hub at www.screenhub.com.au. TITLE: RealTime COST: Free (or you can subscribe and get 6 issues for $30) LATEST ISSUE: No 57 (October/November 2003) WEBSITE: www.realtimearts.net EDITOR: Keith Gallasch & Virginia BaxterRealTime is published every two months and has a section focusing on film and digital media called OnScreen. Digital artists are interviewed and reviewed extensively - many Australian artists are leading their field - while the film section concentrates on emerging filmmakers, the impact of Asian cinema on our shores and analyses of screen culture and politics.
RealTime is a free publication distributed to cinemas, bookstores, libraries and cafes nationally. It is also possible to subscribe. Contributors come from a range of backgrounds and the editors encourage innovative, challenging and highly stylised writing.
The upcoming issue of OnScreen features an article examining why Melbourne seems to be leading the field in successful short films, a report on the recent Office of Film and Literature Classification Conference, Louis Nowra's new Australian Screen Classics book on Nicholas Roeg's Walkabout and an interview with Super 8 artist Louise Curham on her work and her role in forming the Sydney Moving Image Coalition. There's also two new Aussie docos, Lonely Boy Richard and Man Made: The Story of Two Men and a Baby, Electrofringe, the House of Tomorrow exhibition, Coded Characters: Media Art (a book and DVD-ROM on the work of Jill Scott) and Ars Electronica in Linz.
RealTime also has many articles that are published online. For example, each year OnScreen does a round-up of all films nominated for an AFI Award in the short fiction, documentary, animation and feature film categories and this is currently featured on their website. This is a good way to get up to speed on the current state of the industry and the filmmakers to watch.
Find out more about RealTime by visiting their website or email the assistant editor Mireille Juchau at opencity@ozemail.com.au. TITLE: Senses of Cinema COST: Free (online only) LATEST ISSUE: No 28 (September/October 2003) WEBSITE: www.sensesofcinema.com EDITOR: Fiona Villella Senses of Cinema is an online forum for writing on cinema that is considered and argumentative, informed and passionate. The editors seek out writing that is knowledgeable about cinema history and that passionately regards cinema as an artform. This approach allows the publication to examine the past and present of Australian and world cinema and pull out films and filmmakers of significance. Although Senses of Cinema is primarily a cinema journal, it is interested in the way cinema is changing via digital technologies and the way cinema affects other artforms or media like television, documentary and animation.
The journal is bi-monthly. It includes various sections - critical coverage of contemporary and past Australian and world cinema, a Great Directors critical database, film festivals page, upcoming screenings, news, and a major links page. Some upcoming topics include a roundtable discussion on Australian experimental filmmaking, highlights of contemporary Australian cinema, a special 'perversion' issue, telephilia (how The Sopranos, Buffy the Vampire Slayer and more relate to 'cinema'), spotlights on world art cinema directors Kiyoshi Kurosawa, Guy Maddin, Abbas Kiarostami, and Great Directors entries on Chantal Akerman, Jerry Lewis, Len Lye, Douglas Sirk and Abel Ferrara.
Find out more about Senses of Cinema by visiting their website or email the editor Fiona Villella at fiona@sensesofcinema.com
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Inside Film magazine
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